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Simply upgrading your Eurolite KLS Sets

January 27th, 2012 Posted in EUROLITE, worth knowing Tags: , ,

KLS-Banner

You don’t need DMX to control a KLS an four additional spots – you only need a DMX line…

EUROLITE FP-1A DMX line, a spot with 3 DMX channels and the Eurolite FP-1 foot pedal, to be more precise. Sound strange, but it is not at all. A maximum of four spot have to be connected to the DMX out of the KLS and then lopped through (it works with KLS- 200, 401, 801, 1001). Everything is controlled with the foot pedal in a kind of Master/Slave mode.

Necessary requirement, the spot’s 3 channel DMX mode needs the following starting addresses:

Synchronic to panel 1 of the respective KLS: starting address 4
Synchronic to panel 2 of the respective KLS: starting address 7
Synchronic to panel 3 of the respective KLS: starting address 10
Synchronic to panel 4 of the respective KLS: starting address 13

EUROLITE KLS

Functionality of the foot switch remains unchanged: blackout, freeze, sound control, auto program.

Here are some of our spots which can be connected:
EUROLITE ACS Bars RGB,
EUROLITE PAR-64 RGB 24x5W,
EUROLITE PAR-64 RGB 36x1W Short sil
EUROLITE ML-56 TCL 18x3W
EUROLITE PAR-64 TCL 18x3W

To those who cannot call a KLS their own we recommend to take a look at our 8 KLS Kombo Packs. With the Kombo Pack 7 we also offer an alternative without DMX.

Overview on subwoofer types

subwoofer

The human ear is mainly adapted to the frequency range where speech is transmitted. Frequencies below this frequency range are less noted although the same physical level is present. In practice, this effect requires higher bass power e. g. by more powerful subwoofers, more subs or a mixture of both. As speakers generally have a low efficiency comparable to a halogen lamp, manufacturers try to achieve the highest efficiency by optimized housing shapes. But not every housing shape is suitable for every event location and audience. The following article should help to find the suitable subwoofer type.

1. Introduction

The loudspeaker celebrates its 150th anniversary based on the invention of the telephone by Philipp Reis in the year 1861. Already in the year 1878, the electro-dynamic loudspeaker was patented. This kind of loudspeaker is still built into most speaker-systems today.

If such a loudspeaker is operated without housing, an acoustic short-circuit is produced because the sound waves produced by both membrane sides are eliminated by each other. The volume is clearly reduced, especially the lower frequencies. A pragmatic use is not possible like this so that diverse types of loudspeaker housings for different applications were developed. Read more »

Back to the start

December 2nd, 2011 Posted in General, worth knowing Tags: , , , ,

Glühlampe_banner

With conventional lightbulbs it has begun – electric light for everybody. Read about the history of modern light…

Within the past five to ten years, LEDs became very popular in the lighting industry. With all the hype about even brighter LEDs one might forget that there are still conventional lightbulbs.

Sometimes one feels reminded of the “wars” between analog and digital signal processing in audio technology when incandescent lamps are called “warm” and LEDs are called “cold”. On the other hand, the lightbulb’s light efficiency of 5 to 30 lumens per watts or an efficiency of less than 10 % is considered to be very low and not environmentally friendly. This is why the lightbulb is partly forbidden in Australia and in the EU – a development which did not help the LED but the energy-saving lamp which is also not environmentally friendly.

For the entertainment industry, the wide selection of different lamps is very positive. Technicians can choose from a large variety of tools to be used for solving a lighting installation. When classical incandescent lamps should be used, one must make a decision between with halogen additive or not. Halogen lamps have a longer live and are a little brighter at the same wattage. Are there any other differences? Which are the main steps in the development of incandescent lamps?

GlühlampeThe lightbulb’s history dates back more than 200 years. In 1802, the Englishman Sir Humphry Davy experimented with the just invented battery and platinum filaments, but nowadays he is more known for developing the carbon-filament bulb. For the early 19th century, there is also controversial evidence for a lightbulb designed by De la Rue or De la Rive. Up to now, neither the designer, nor the origin or an exact year could be given. The sources speak of an invention around 1820 or even earlier, however, there is no evidence from this period of time. In 1835, the Scottish James Bowman Lindsay publicly presented a lightbulb with platinum filament and vacuum flask, but he didn’t continue to pursue the idea. Further patents of other scientists followed in the 1840s and the 1850s. A mass production never started because platinum has a melting point of approx. 1770° C and the light efficiency was rather low. High material costs also contributed to the failure.

Thomas_Alva_Edison_kToday, Thomas Alva Edison is regarded as the real inventor of the incandescent lamp as he succeeded around 1880 with carbonized bamboo filaments. With the coal he could work with the double temperature compared with platinum. Edison already had some experience with the coal filament from earlier inventions. The legend that the German Heinrich Göbel already invented a working coal filament bulb in 1854 cannot be maintained when regarding the sources and was maybe only announced due to patent litigations with Edison.

Patent Light_bulb_EdisonThe coal filament was quickly replaced by materials like osmium and tantalum which were first available at the turn of the century. The material tungsten with a melting point of 3400° C, which is still being used today, was only available a little later due to the contributions of Carl Auer von Welsbach, the founder of OSRAM, and other scientists. But again, it was Edisons company General Electric (GE) which launched the lightbulb as known today from 1911. GE’s success remains until today because most household lamps still use the base with Edison thread (E14, E27, E40). Further improvements were reached by adding noble gas and spiral heating coils.

The lightbulb’s life is limited because atoms leave the heating coil at especially hot places. These atoms gather at the cooler flask. When a larger flask is used, the gathering can be spread on a larger space and the shadowing of the glass can be reduced a little bit. The number of atoms leaving from the heating coil depends very much from the voltage being used and thus the temperature being reached. Increasing the voltage by 20 % doubles the brightness, but also reduces the life by 95 %. Increasing the voltage by only 5 % still reduces the life by 50 %. In the first half of the 20th century, finding the compromise between brightness or light efficiency and the lamp life lead to an illegal cartel with all big manufacturers like General Electric, Osram and Philips. Still today, there are rumors that manufacturers artificially reduce the lamp life.

By adding noble gas like xenon, argon or krypton, the evaporation of heating coil tungsten atoms can be reduced. Furthermore, the noble gas allows a higher heating coil temperature and thus a higher light efficiency. This can be optimized by increasing the interior pressure of the flask, but the maximum interior pressure depends on the ruggedness of the flask.

In the middle of the 20th century, the development of halogen lamps brought several essential improvements. Additional halogen like iodine reacts with the vaporizing tungsten and stabilizes a tungsten containing atmosphere in the flask. The tungsten condensate does not gather on the glass but again on the heating coil. As the tungsten moves rather to the thicker parts of the heating coil, the lamp life is not significantly increased. Instead, the halogen enables much more compact flasks so that even higher interior pressure can be realized. Furthermore, a smaller flask reduces the costs for filling it with expensive noble gas. The decisive point for a longer lamp life of halogen lamps is not the tungsten-halogen-circle, but the especially high interior pressure of the gas. A further contribution was the invention of especially rugged and heat-resistant silica glass.

Some day, the heating coil of a halogen lamp does also burn through because noble gas and halogen cannot avoid that the heating coil becomes thinner at some places and finally burns through. Mostly, this happens in a critical situation when switching on and when a very high currents runs through the lamp. We refer to the pre-heat-function of many dimmers and lighting controllers which provide voltage to the lamp shortly below lighting up and thus reducing the starting currents.

Another advantage of halogen lamps is the much higher light efficiency especially in the low voltage sector. Halogen lamps can be operated at low voltage in households.

Why should any technician choose lightbulbs without halogen mixing, when there are so many advantages?

Next to the price difference between the two versions, the light temperature and its spectrum is also very important. Even carbon-filament bulbs are still popular as they have their own specifications regarding color temperature and starting behavior. Halogen lamps have a color temperature of 3000 and 3400 Kelvin, “normal” bulbs have 2200 to 2800 Kelvin depending on the wattage and the filling.

 

Farbspektrum_Tageslicht

Colour range daylight

Farbspektrum_Gluehlampe

Colour range light bulb

Farbspektrum_Halogen

Colour range halogen

In artistically demanding surroundings, it may be useful to have bulbs without halogen mixture. Halogen lamps also have the disadvantage that they emit a low portion of ultraviolet light so that skin burns may be caused or color surfaces may be bleached.

Sources:

Max Keller: Faszination Licht

Carl-Friedrich Baumann: Licht im Theater

Omnitronic Little Helpers – Part II

Little Helper

In the second part we’d like to present you the remaining “Little Helpers” from Omnitronic. After we have focused on DI-Boxes, isolators, cable testers and signal switchers in the first part, it’s now about mini mixers and preamplifiers.

First comes the passive mini mixer OMNITRONIC LH-010, that can distribute the signal of four audio sources to one output. That makes it possible to create simple submixes or small mixers which can be extended with some channels for an additional group, for example for multitrack recordings or spot microphones. Another possibility is the use on stages to connect multiple guitars at the same time to avoid switching and disturbing noises during a concert. Different output levels of several guitars can already be adjusted in the run-up to a performance. Due to its passive construction, the LH-010 can also be used as 1 to 4 splitter, for example to supply multiple active speakers with the same signal without looping through all speakers. With two LH-010 the output signal of a mixer can be split for further processing in different media (PA, webcam, records, etc). Read more »

Little Helper from Omnitronic – Part I

October 25th, 2011 Posted in OMNITRONIC, worth knowing Tags: , , , , , ,

Little Helper

Let’s talk about the so called „Little Helpers“ from Omnitronic. They have already simplified or even saved quite a few events. In the first part of our series we are concentrating on devices which can rather be found on live settings. Installation and studio environment are the topics of the second part.

It is probably the absolute classic assistant in event industry: the DI-Box (DI means “direct injection”, sometimes also “direct input”). On live stages the DI-Box has to complete three missions at once. First of all, impedance transformation. To directly supply a signal from keyboards, synthesizers, electric guitars or basses into the multicore and finally into the FOH mixer, the very high-resistant output impedance of these instruments has to be transformed. Normally, an electric guitar has an output impedance of several thousand ohms whereas a microphone features only a few hundred ohms. Now, the DI-Box, from a technical point of view, transforms an instrument signal into a microphone signal – thus preparing the signal for further processing in a mixer. The inputs of the instruments’ amplifiers are equipped accordingly and thereby don’t have to be supplied with a transformed signal. Because of this it is possible to simultaneously tap the input signal of the DI-Box and to feed it into the amplifier, which is mostly used as stage monitor. Read more »