Eurolite presents Zeitgeist, a new premium line, in Frankfurt. Under this name, Eurolite will bring out new devices that meet customers’ specific wishes and try to reflect the zeitgeist optimally.
6 products will be featured at the Prolight+Sound under the label Zeitgeist, three spots and three fog machines. With the first spots, Eurolite reacted to the demand for big and powerful, yet quiet LED spots.
Eurolite Zeitgeist
Making cookies, a course through the warehouse, welding stars: On our kids’ day this year, there’s a lot to see and do. As every year, the kids can come to the company with their parents and have a day full of surprises as there’s no school today.
We take a closer look. With “Steinigke ZOOM” we offer a new video magazine. We explain context, compare products, technologies or techniques – often this will be answers to explicit customer questions. “Steinigke ZOOM” provides a deeper insight, apart from normal product presentations.
In our first video we show the difference between a LED Compact light set and a conventional halogen light set.
[tubepress video=”QmEfbdlzCkw”]
At the Prolight+Sound 2013, the company inoage presented their new software MADRIX® 3 – now, after the successfull test stage, it’s available at Steinigke!
MADRIX® 3 is a major breakthrough. The powerful yet easy-to-use LED control software introduces a lot of new features and cutting-edge elements for real 3D applications. Above all, MADRIX® is a unique pixel mapper that provides real-time effects. All visuals can be modified and combined to create new effects live and in a matter of seconds with an unprecedented level of customization.
How digital controlling protocol works!
Every retailer is familiar with it, the standardized process to digitally send controlling information to dimmers, „intelligent“ spots or effect devices – DMX: But how exactly does it work and whose idea was it?
Digital data transmission has been around since the 80s. But controlling consolemanufacturers used differing systems, incompatible with each other, so the customer was forced to buy spots and controllers from the same producer. This changed in 1986 when the DMX standard was introduced, based on an initiative of the USITT (United States Institute for Theatre Technology). After some improvements were made and problems were solved, it was realized four years later. The common and still valid name of the standard is DMX-512 (1990). Even though some work has been done on it since then, there’s currently no newer version.